Qui est sorti avec Mercedes de Acosta?

Mercedes de Acosta (née le 1^er mars 1892 à New York et morte le 9 mai 1968 dans la même ville) est une poétesse et artiste hispano-américaine.

Ses mémoires de 1960, Here Lies the Heart, sont reconnues comme un document remarquable de l'histoire LGBT car elles font allusion à l'aspect lesbien de certaines de ses relations.

Айседо́ра Дунка́н (англ. Isadora Duncan [ˌɪzəˈdɔrə ˈdʌŋkən]; 26 мая 1877 или 27 мая 1878, Сан-Франциско, Калифорния — 14 сентября 1927, Ницца, Третья французская республика) — американская танцовщица-новаторша, основоположница свободного танца. Разработала танцевальную систему и пластику, которую связывала с древнегреческим танцем.

Жена Сергея Есенина в 1922—1924 годах.

В её честь назван кратер Дункан на Венере.

Claire de Forbin La Barben (née Charles-Roux; 10 April 1908 – 1992) fought with the French Resistance during World War II. Married to the last marquess of Forbin-la Barben, she was the lover of Isabel Pell and Mercedes de Acosta.

Marie Magdalene "Marlene" Dietrich (, German: [maʁˈleːnə ˈdiːtʁɪç] ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned nearly seven decades.

In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola Lola in Josef von Sternberg's The Blue Angel (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: Morocco (1930) (her only Academy Award nomination), Dishonored (1931), Shanghai Express and Blonde Venus (both 1932), The Scarlet Empress (1934), The Devil Is a Woman (1935). Throughout World War II, she was a high-profile entertainer in the United States. Although she delivered notable performances in several post-war films, including Billy Wilder's A Foreign Affair (1948), Alfred Hitchcock's Stage Fright (1950), Billy Wilder's Witness for the Prosecution (1957), Orson Welles's Touch of Evil (1958), and Stanley Kramer's Judgment at Nuremberg (1961), she spent most of the 1950s to the 1970s touring the world as a marquee live-show performer.

Dietrich was known for her humanitarian efforts during World War II, housing German and French exiles, providing financial support and advocating their American citizenship. For her work on improving morale on the front lines during the war, she received several honors from the United States, France, Belgium, and Israel. In 1999, the American Film Institute named Dietrich the ninth greatest female screen legend of classic Hollywood cinema.